Madhumad Sarang | Hindustani Raga Index | Rāga Junglism

S-R-m-P-n-S

[summary]

—Kaivalya Kumar Gurav (2015)—

[refrain, e.g. 1:23] m(R)m\R, (m)RS, nR, R(mRPm)RS S…

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

• Core form: S-R-m-P-n-S

• Reverse: SRmPnS (=itself)

• Inverse: Ni; SRGmPDnS (=Kafi)

–Global Translations–

S-R₂-M₁-P-N₂-S

1-2-4-5-b7-8

• Pitch classes (‘fret-jumps’):

0-2-5-7-10-0

(2–3–2–3–2)

o • o • • o • o • • o • o

• Names: Madhumad Sarang, Madhmat Sarang

—Ali Ahmed Hussain (1982)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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