S-r-m-P-d-S
An enchanting morning raga, matching the swara set of ‘Bhupali komal re/dha’ (or ‘Shobhawari komal re’), described by Tanarang as “essentially an epitome of bhakti and karuna…straightforward, and can be freely expanded in all three octaves”. While audav at its core, some renditions may include shades of shuddha Ga in avroh, bringing hints of a Bhairav-ang – and Kumar Gandharva’s unconventional take also features varied use of both Ga and Ni. Also refer to a concise demo by Ajoy Chakraborty, a superb performance by Kedar Bodas (below), and a captivating bandish by Ramrang (“describing Shiva’s visit to Brindavan to see the baby Krishna. The text verbalises the Great Yogi’s response to an apprehensive Jashoda”). Generally considered distinct to Gunakri, despite considerable overlap – with their basic SrmPdS scale shape also forming an exact Ga-murchana of Kaushik Dhwani – and approximating the ‘In / Miyakobushi‘ mode of Japanese court music.
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• Hindustani Raga Index •
—Kedar Bodas (2015)—
[bandish, e.g. 7:43] d P m, (P)m\r, rS(rS) PP, (S)dd P(d)P m(P)m\r(m)r S, Pm r(m)r S(r)S d(S)dS, rrS S(PmP)m m\rr rS S\dd rS (S)PmmP, dPdmPdd, Pdd, Pdd P m…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Gunakri
–Swara Geometries–
• Core form: S–r–m–P–d–S
• Reverse: SGmPNS
• Negative: 3-1-1-2-3-1-1 (e.g. Todi)
• Imperfect: 2 (Pa, dha)
• Detached: none
• Symmetries: none
• Murchanas: Kaushik Dhwani (on dha)
–Global Translations–
• Carnatic: ~Salanganata
S-R1-M1-P-D1-S
• Jazz: Phrygian (no 3rd/7th)
1-b2-4-5-b6-8
• Pitch classes (‘fret-jumps’):
0-1-5-7-8-0
(1–4–2–1–4)
o o • • • o • o o • • • o
• Tanpura: Sa–Pa (+dha)
• Names: Gunakali, Gunakari, Gunkeli (not Gunakri?)
—Ajoy Chakraborty (~2000s)—