• Raag Hemshri •

S-g-m-P-nN-S


A night raga created by renowned Gwalior composer and vocalist Vishwanath Rao Ringe ‘Tanarang’, essentially equivalent to ‘Tilang komal ga’. In his own summary (seemingly the only source of melodic information): “the mood is light…a very sweet melody that manifests readily in the following combinations [e.g. SgmPm, gmPnPNNS; PNSnP; PNSgNS]”. Re is banned entirely, while the raga is distinguished from Dhani by the use of double-Ni. Refer to Vishwajat’s rendition below – and also see other Tanarang creations including Sundarkauns, Saraswati Kedar, and Jogeshwari Pancham.


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राग हेमश्री
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—Vishwajeet Ringe (2020)—


[sargam, e.g. 7:31] NNNN SNgS, m(g) Pm n, nP, gPm, P(mgmPmgS) N, S(gSgmPnPmg)…

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Salaman (Toumani Diabaté & Ballaké Sissoko): I’ve loved this composition since ripping it from a Frome Library CD when I was 14... Originally performed by the legendary kora duet on their ‘New Ancient Strings’ album, Based on ‘Tita’, a love song from Western Mali (...the b6 has a ‘between minor and major’ tuning...handled here with a messy bend)

And if you like this stuff then check out Derek Gripper, the true master of arranging Toumani Diabaté for the guitar! @derek_gripper 

#kora #worldmusic #mali #africanmusic #guitarsolo @toumanidiabatemusic @ballake.sissoko
Raag Jog: exploring different ways the electric guitar can support a Dhrupad-ang nomtom (syllabic improvisation)...

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#dhrupad #raga #indianmusic #icm #worldmusic
Raag Kafi: Electric guitar improv around the adha bandish ‘Aaj Khel Shaam Sang Hori’

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#raga #indianmusic #icm #worldmusic #ragaguitar
Raag Jog: some sawal-jawab (‘question-answer’) fun with Marc Clayton on tabla

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace 

#raga #indianmusic #icm #worldmusic #ragaguitar

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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• Prakriti: (none found)
Also see other ragas matching the generic swaras ‘Sa-Ga-Ma-Pa-Ni‘

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–Swara Geometries–

• Core form: S–g–m–P–nN–S
• Reverse: SrRmPDS
• Complement: SrRGMdDS
• Imperfect: 2 (Pa, Ni)
• Detached: 1 (Ni)
• Symmetries: mirror (m—N)
• Murchanas: Hemshri set

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–Global Translations–

• Carnatic: ~Suddha Dhanyasi
S-G2-M1-P-N2-N3-S
• Jazz: Minor Pent. (dbl. 7th)
1-b3-4-5-b7-7-8
• Pitch classes (‘fret-jumps’):
0-3-5-7-10-11-0
(3–2–2–3–1–1)

o • • o • o • o • • o o o


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• Tanpura: Sa–Pa
• Names: Hemshri, Hemshree
• Transliterations: Hindi (हेमश्री)

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—Dhanjibhai Gadhiya (2020)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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