S-g-m-P-nN-S

---

A night raga created by Gwalior composer and vocalist Vishwanath Rao Ringe ‘Tanarang’, essentially equivalent to ‘Tilang komal ga’. In his own words: “the mood [is] light…a very sweet melody that manifests readily in the following combinations [e.g. SgmPm, gmPnPNNS; PNSnP; PNSgNS]”. Re is banned entirely, while the raga is distinguished from Dhani by the use of double-Ni.

---

• Raga Megalist (365+) •

Search | Glossary | Tags

• Hindustani Raga Index •

—Vishwajeet Ringe (2020)—

---

[sargam, e.g. 7:31] NNNN SNgS, m(g) Pm n, nP, gPm, P(mgmPmgS) N, S(gSgmPnPmg)…

---

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

---

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

---

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

---

• Core form: S-g-m-P-nN-S

• Reverse: SrRmPDS (=none)

• Inverse: Dha; SGmPDNS (=none)

• Imperfect: 2 (Pa, Ni)

• Detached: 1 (Ni)

• Symmetries: mirror (m—N)

• Murchanas: Hemshri set

–Global Translations–

---

• Carnatic: ~Suddha Dhanyasi

S-G₂-M₁-P-N₂-N₃-S

• Jazz: Minor Pent. (dbl. 7th)

1-b3-4-5-b7-7-8

• Pitch classes (‘fret-jumps’):

0-3-5-7-10-11-0

(3–2–2–3–1–1)

---

o • • o • o • o • • o o o

---

• Tanpura: Sa–Pa

• Names: Hemshri, Hemshree

—Dhanjibhai Gadhiya (2020)—