S-g-m-P-nN-S
A night raga created by Gwalior composer and vocalist Vishwanath Rao Ringe ‘Tanarang’, essentially equivalent to ‘Tilang komal ga’. In his own words: “the mood [is] light…a very sweet melody that manifests readily in the following combinations [e.g. SgmPm, gmPnPNNS; PNSnP; PNSgNS]”. Re is banned entirely, while the raga is distinguished from Dhani by the use of double-Ni.
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Vishwajeet Ringe (2020)—
[sargam, e.g. 7:31] NNNN SNgS, m(g) Pm n, nP, gPm, P(mgmPmgS) N, S(gSgmPnPmg)…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-g-m-P-nN-S
• Reverse: SrRmPDS (=none)
• Inverse: Dha; SGmPDNS (=none)
• Imperfect: 2 (Pa, Ni)
• Detached: 1 (Ni)
• Symmetries: mirror (m—N)
• Murchanas: Hemshri set
–Global Translations–
• Carnatic: ~Suddha Dhanyasi
S-G2-M1-P-N2-N3-S
• Jazz: Minor Pent. (dbl. 7th)
1-b3-4-5-b7-7-8
• Pitch classes (‘fret-jumps’):
0-3-5-7-10-11-0
(3–2–2–3–1–1)
o • • o • o • o • • o o o
• Tanpura: Sa–Pa
• Names: Hemshri, Hemshree
—Dhanjibhai Gadhiya (2020)—