S-r-G-m-P-d-N-S
Kalingada shares the same seven swaras as Bhairav, but approaches them differently – preferring a straighter, less ornamented character (as per Rajan Parrikar: “Kalingada has a flippant mien…far less austere than Bhairav. The Ga and Pa are advanced to positions of influence, [and] the swara-lagav is mostly linear, without the andolit treatment prevalent in Bhairav.”)
• Raga Megalist (365+) •
Search | Glossary | Tags
• Hindustani Raga Index •
Aroha: SrGmPdNS
Avroh: SNdPmGrS
Chalan: e.g. SrGmP, dPmPmG, mGrG; PdPdN, SNdN, NdP, dPmGmP (Parrikar)
—Kaushiki Chakraborty (2018)—
[themes, e.g. 1:57] GmGP (Pd), mP(nd) d(PdP)mG, GmGP; GmP(dSNSN) dP, mP(nd)P Pm(P)G…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Bhairav thaat, Bhairav, Gauri
–Swara Geometries–
• Core form: S–r–G–m–P–d–N–S
• Reverse: SrGmPdNS (=itself)
• Negative: 4-1-3-3-1 (e.g. Bibhas)
• Imperfect: 3 (Pa, dha, Ni)
• Detached: none
• Symmetries: mirror (S—M)
• Murchanas: Bhairav set
• Quirks: ‘palindromic‘ (same intervals forwards & backwards) • ‘centred‘ (constellation balances at the wheel’s centrepoint)
–Global Translations–
• Carnatic: ~Mayamalavagowla
S-R1-G3-M1-P-D1-N3-S
• Jazz: Double Harmonic
1-b2-3-4-5-b6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-5-7-8-11-0
(1–3–1–2–1–3–1)
o o • • o o • o o • • o o
• Tanpura: Sa–Pa (+dha)
• Names: Kalingada, Kalingda
—Nishad Bakre (2023)—