S-R-gG-m-P-nN-S
[summary]
• Raga Megalist (365+) •
Search | Glossary | Tags
• Hindustani Raga Index •
—Latafat Hussain Khan (~1960s)—
[refrain, e.g. 0:16] G, Gm(G), S S(mRPmD)P, (P)SNS, (N)S nPn\PP, mPnPm\G, (Gm)P P(G)mR, SRG(mG), m/n(Pn)P, m/n(mPGmS)g (S)g(RgR)S(NS), S(mGPmnP)N S(NS)P n(PmPmg) (P)Gmg(S), G…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-gG-m-P-nN-S
• Reverse: SrRmPdDnS (=none)
• Inverse: Dha; SGDNS (=none)
• Imperfect: 2 (Re, Ni)
• Detached: none
• Symmetries: none
• Murchanas: Gara set
–Global Translations–
• Carnatic: Dwijavanthi
S-R2-G2-G3-M1-P-N2-N3-S
• Jazz: Ionian-Dorian (no 6th)
1-2-b3-3-4-5-b7-7-8
• Pitch classes (‘fret-jumps’):
0-2-3-4-5-7-10-11-0
(2–1–1–1–2–3–1–1)
o • o o o o • o • • o o o
• Tanpura: Sa–Pa
• Names: Lachari Kanada, Lacchari Kannada
—Latafat Hussain Khan (~1970s)—
[MORE TO FOLLOW]
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• Hindustani Raga Index •
An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023]
—Megalist (365+ ragas)—
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• Thaat: Bhatkhande’s base scales •
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• Quotes: Musings from raga artists •
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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