S-r-G-P-D-n-S
‘Malay Marutam’ translates as ‘fragrant hill-breeze’. Bansuriya Rupak Kulkarni explained to me in a 2018 interview how the raga “is from Carnatic music, which does not give so much attention to the times of day. We have decided to designate it as a morning raag, mainly due to the nature and essence of its notes, which are very close to Ahir Bhairav [no ma]”. Still considered to have an unstable Northern identity.
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—Rupak Kulkarni (2019)—
[jor motifs, e.g. 7:53] S(G)rG G, GGGr SDn(r) S, SSS SrGPGr(G)S; GGG rrr SSSn SDnS, GGG rrr SSSn SDnS rSGrPG, PSrGPGrS, P(nDnDnD) n(rSrS), S(GrGrGr)GP, GP(nDnDn)PGS…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-r-G-P-D-n-S
• Reverse: SRgmdNS (=none)
• Inverse: Ni; SgGMPnS (=none)
• Imperfect: 4 (re, Ga, Pa, ni)
• Detached: 2 (re, ni)
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: Malaymarutam
S-R1-G3-P-D2-N2-S
• Jazz: Mixolydian b2 (no 4th)
1-b2-3-5-6-b7-8
• Pitch classes (‘fret-jumps’):
0-1-4-7-9-10-0
(1–3–3–2–1–2)
o o • • o • • o • o o • o
• Tanpura: Sa–Pa
• Names: Malay Marutam, Malayamarutham, Malaymarutama
—Shalil Shankar (1991)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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