S-gG-P-D-n-S

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[summary]

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• Raga Megalist (365+) •

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• Hindustani Raga Index •

—Nazakat & Salamat Ali Khan (1965)—

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[refrain, e.g. 1:38] SGPDnD PG, (S)n/gS, (S)nS n/g(S), (n)D nDP, DnDn/S, SG n(DnD)PGS, (S)n…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

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Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

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Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

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• Core form: S-gG-P-D-n-S

• Reverse: SRgmdDS (=none)

• Inverse: Ni; SRgMPDS (=Shivawanti)

• Imperfect: 3 (Ga, Pa, ni)

• Detached: none

• Symmetries: mirror (gG—Dn)

• Murchanas: Malavi (on ga)

–Global Translations–

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• Carnatic: 

S-R₃-G₃-P-D₂-N₂-S

• Jazz: Dorian ‘b4’ (no 2nd)

1-b3-3-5-6-b7-8

• Pitch classes (‘fret-jumps’):

0-3-4-7-9-10-0

(3–1–3–2–1–2)

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o • • o o • • o • o o • o

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• Tanpura: Sa–Pa

• Names: Milan Gandhar, Milangandhar

—Vijay Bakshi (~2000s)—