• Raag Bhairav Bahar •

S-rR-gG-m-P-D-nN-S


A ten-toned multi-jod raga, Bhairav Bahar’s descent blends the melodic signatures of several disparate ragas, notably including the springtime Bahar – although, as per Darbhanga Dhrupad vocalist Premkumar Mallick, flavours of Bhairav should dominate the overall impression. Bose gives a vadi–samvadi of ma–Sa, while also mentioning the existence of an alternate ‘double-Dha’ version (thus allowing for the use of every swara position except tivra Ma). Refer to recordings by Bhimsen Joshi, Apoorva Gokhale, and Vilayat Khan (at the 1981 BBC Proms with Zakir Hussain on tabla, also showcasing the Imdadkhani sitarist‘s impressive vocal skills) – as well as Rajan Parrikar’s rundown of further renditions. Compare to other members of the Bhairav raganga.


• Raga Masterlist (1000+) •
राग भैरव बहार
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—Apoorva Gokhale (2018)—


[bandish, e.g. 43:47] mG m/nD, D(nSN)S, nD(n)P, mg(mP)m G\r S, mG m/nD, D(nSN)S…

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Salaman (Toumani Diabaté & Ballaké Sissoko): I’ve loved this composition since ripping it from a Frome Library CD when I was 14... Originally performed by the legendary kora duet on their ‘New Ancient Strings’ album, Based on ‘Tita’, a love song from Western Mali (...the b6 has a ‘between minor and major’ tuning...handled here with a messy bend)

And if you like this stuff then check out Derek Gripper, the true master of arranging Toumani Diabaté for the guitar! @derek_gripper 

#kora #worldmusic #mali #africanmusic #guitarsolo @toumanidiabatemusic @ballake.sissoko
Raag Jog: exploring different ways the electric guitar can support a Dhrupad-ang nomtom (syllabic improvisation)...

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#dhrupad #raga #indianmusic #icm #worldmusic
Raag Kafi: Electric guitar improv around the adha bandish ‘Aaj Khel Shaam Sang Hori’

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#raga #indianmusic #icm #worldmusic #ragaguitar
Raag Jog: some sawal-jawab (‘question-answer’) fun with Marc Clayton on tabla

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace 

#raga #indianmusic #icm #worldmusic #ragaguitar

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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• Prakriti: (none found)
Also compare to other members of the Bhairav raganga

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–Swara Geometries–

• Core form: S–rR–gG–m–P–D–nN–S
• Reverse: SrRgmPdDnNS
• Complement: SMdS
• Imperfect: 2 (re, Ni)
• Detached: 1 (re)
• Symmetries: mirror (r—P)
• Murchanas: none

• Quirks: ‘maximal‘ (swaras are optimally ‘spread out’)

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–Global Translations–

• Carnatic: ~Basant Bahaar
S-R1-R2-G2-G3-M1-P-D2-N2-N3-S
• Jazz: Ionian (dbl. 2nd/3rd/7th)
1-b2-2-b3-3-4-5-6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-1-2-3-4-5-7-9-10-11-0
(1–1–1–1–1–2–2–1–1–1)

o o o o o o • o • o o o o


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• Tanpura: Sa–Pa
• Names: Bhairav Bahar, Bahar Bhairava
• Transliterations: Hindi (भैरव बहार); Bengali (ভৈরব বাহার)

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—Vilayat Khan (1981)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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