S-rR-gG-m-P-D-nN-S
A ten-toned multi-jod raga, Bhairav Bahar’s descent blends the melodic signatures of several disparate ragas – although, as per Darbhanga Dhrupad vocalist Premkumar Mallick, flavours of Bhairav should dominate. Bose gives a vadi–samvadi of ma–Sa, while also mentioning the existence of an alternate ‘double-Dha’ version (thus allowing for the use of every swara position except tivra Ma). Also see a rundown of renditions selected by Rajan Parrikar.
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—Apoorva Gokhale (2018)—
[bandish, e.g. 43:47] mG m/nD, D(nSN)S, nD(n)P, mg(mP)m G\r S, mG m/nD, D(nSN)S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-rR-gG-m-P-D-nN-S
• Reverse: SrRgmPdDnNS (=none)
• Inverse: dha; SnS (=none)
• Imperfect: 2 (re, Ni)
• Detached: 1 (re)
• Symmetries: mirror (r—P)
• Murchanas: none
–Global Translations–
• Carnatic: Basant Bahaar
S-R1-R2-G2-G3-M1-P-D2-N2-N3-S
• Jazz: Ionian (dbl. 2nd/3rd/7th)
1-b2-2-b3-3-4-5-6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-1-2-3-4-5-7-9-10-11-0
(1–1–1–1–1–2–2–1–1–1)
o o o o o o • o • o o o o
• Tanpura: Sa–Pa
• Names: Bhairav Bahar, Bahar Bhairava
—Vilayat Khan (1981)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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