S-gG-m-D-n-S

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[summary]

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• Raga Megalist (365+) •

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• Hindustani Raga Index •

—Ravi Shankar (1980)—

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[gat, e.g. 0:02] (S)n D m, GmG (m)g/m, nSDn g\S, Gm GmD, D(nSn)D, m…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

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Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

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Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

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• Core form: S-gG-m-D-n-S

• Reverse: SRgPdDS (=none)

• Inverse: Ni; SRgPdDS (=reverse!)

• Imperfect: 2 (Sa, Ga)

• Detached: none

• Symmetries: none

• Murchanas: Tilang (on ma)

–Global Translations–

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• Carnatic: ~Vagadeeshvari

S-G₂-G₃-M₁-D₂-N₂-S

• Jazz: Dorian (dbl. 3rd, no 2nd/5th)

1-b3-3-4-6-b7-8

• Pitch classes (‘fret-jumps’):

0-3-4-5-9-10-0

(3–1–1–4–1–2)

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o • • o o o • • • o o • o

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• Tanpura: Sa–ma

• Names: Jogeshwari, Jogesvari

—Salil Bhatt (2010)—