S-r-g-P-n-S
Created by Ravi Shankar, Bairagi Todi replaces Bairagi’s ma with a Todi-intoned ati-komal ga, retaining a concise audav structure while presenting an odd mix of narrow and wide intervals. Often set to unusual talas (Shankar’s original is in Sade-Gyarah, an 11.5-matra cycle divided as ‘4-4-2-1.5’), the raga is explorable in all octaves, with most artists favouring a ‘deep and heavy atmosphere’. Renditions continue to diverge in the post-Shankar era.
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—Ravi Shankar (1988)—
[gat, e.g. 12:10] PnSr, r g, g r, g r, S r, n PnSr, r r(g)…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-r-g-P-n-S
• Reverse: SRmDNS (=Rasaranjani)
• Inverse: Ni; SgmMPDnS (=none)
• Imperfect: 3 (re, Pa, ni)
• Detached: 1 (re)
• Symmetries: none
• Murchanas: Kalavati set
–Global Translations–
• Carnatic: Virahini
S-R1-G2-P-N2-S
• Jazz: Phrygian (no 4th/6th)
1-b2-b3-5-b7-8
• Pitch classes (‘fret-jumps’):
0-1-3-7-10-0
(1–2–4–3–2)
o o • o • • • o • • o • o
• Tanpura: Sa–Pa
• Names: Bairagi Todi, Birag Todi, Virahini
—Devaki Pandit (2013)—
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• Hindustani Raga Index •
An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023]
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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