S-R-m-D-N-S
A rare, oddly-shaped audav raga formed by omitting Ga and Pa from Bilawal thaat – essentially, ‘removing the major triad from the major scale’ (it can also be seen as ‘Chatuswari Bhavani plus Ni’, Rajeshwari Re-for-ga’, or ‘Durga Ni-for-Pa’). Vocalist Sakuntala Narasimhan, introducing a brief drut khayal, cites Rasaranjani as an invention of her Rampur gharana guru Hafeez Ahmed Khan (hear his 1980 recording), describing it as “very unusual: I’ve never heard anyone sing this raga…it has hints of pathos”. Offers a strong ma–murchana, although this is balanced by the fact that ‘Ni>Sa’ is the only chromatic resolution available.
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Sakuntala Narasimhan (~1990s)—
[refrains, e.g. 1:20] SD mmRSNS, (S)m, mR S(NS)R S; mm(N)D NS, (S)NRS; NSmR(mR), S(NSRS)N, Dm, RS…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-m-D-N-S
• Reverse: SrgPnS (=Bairagi Todi)
• Inverse: ni; SgmMdDnS (=none)
• Imperfect: 3 (Sa, Dha, Ni)
• Detached: 1 (Ni)
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: ~Rasa Ranjani
S-R2-M1-D2-N3-S
• Jazz: Ionian (no 3rd/5th)
1-2-4-6-7-8
• Pitch classes (‘fret-jumps’):
0-2-5-9-11-0
(2–3–4–2–1)
o • o • • o • • • o • o o
• Tanpura: Sa–ma
• Names: Rasaranjani, Rasranjani, Rasa Ranjini, (~Gyankali)
—Hafeez Ahmed Khan (1980)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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