S-R-g-m-P-N-S
Like Parameshwari and Gangeshwari, Rangeshwari (‘Lord of Colours’) was created in 1968 via murchana rotation of Ravi Shankar’s Kameshwari (itself dreamed up during a long car journey through Bengal). Resembles a ‘no Dha’ filtering of either Patdeep or Kirwani, although its swara set seems to be unique – with Shankar’s takes tending towards wide-open, poorvang-dominant movements. Ni, as a chromatic leading-tone to Sa with a wide gap beneath, assumes inherent prominence (also allowing the outline of a PNR Major triad).
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—Ravi Shankar (1972)—
[Swaras]
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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