S-R-M-P-D-n-S
Dreamed up by Ravi Shankar during a car journey to Chengali in March 1968. As explained by his wife Sukanya: “While riding in the car, he conceived the nucleus of a melodic form that he later developed and called Kameshwari. By using the old murchana and swara bheda system, he [also] discovered three more ragas at the heart of Kameshwari” (= Parameshwari, Gangeshwari, and Rangeshwari). The SRMP sequence places his scale close to Saraswati, as well as resembling ‘Vachaspati no Ga’ or ‘Gorakh Kalyan tivra Ma’.
• Home | Megalist | Tags •
—Ravi Shankar (1972)—
[Swaras]
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
—SUBMIT RAGA INFO—