S-R-g-m-P-n-S
[summary]
• Raga Megalist (365+) •
Search | Glossary | Tags
• Hindustani Raga Index •
—Shashwati Mandal (2014)—
[alap, e.g. 0:58] (nS)R, RRSnSnSR m\g(R) m\g(mgmg)m, m(Pm)P\m mPm/n(Pn)P, m(mnPmPmP)S, (n)S nPn P(m), mPn(Pn)P, P(SnS)nP nPmP, nPm(Pm)nPmP m\g m(g) m(g) g(mg)m…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-g-m-P-n-S
• Reverse: SRmPDnS (=Gorakh Kalyan)
• Inverse: Ni; SRmPDnS (=Gorakh Kalyan)
• Imperfect: 1 (Re)
• Detached: none
• Symmetries: mirror (Rg—dD)
• Murchanas: Shankara set
–Global Translations–
• Carnatic: Pushpalathika
S-R2-G2-M1-P-N2-S
• Jazz: Aeolian (no 6th)
1-2-b3-4-5-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-5-7-10-0
(2–1–2–2–3–2)
o • o o • o • o • • o • o
• Tanpura: Sa–Pa (+Pa)
• Names: Nayaki Kanada, Nayaki Kannada
—Bhimsen Joshi (1992)—