S-r-gG-m-P-d-nN-S
A Lalit-ang offshoot of Bhairav devised by gharana-blending genius Kumar Gandharva (also the creator of Bihad Bhairav, Rati Bhairav, Saheli Todi, Lagan Gandhar, & Madhusurja). The raga employs both variants of Ga and Ni, albeit with the komal shades rendered subtly – and compositions tend to focus on the ornamental space around Sa (e.g. S(NrSN)S; NS/GrS; S(RSN)S) (n.b. while some sources suggest a shuddha Dha, Gandharva’s recordings display clearer shades of the komal: as expected given its Lalit-Bhairav parentage). Vanishingly few recordings seem to exist: refer to Gandharva’s classic 1970s renditions (Kantha Re Janoo Re Janoo), as well as a 2019 sitar-accompanied take by his son Mukul Shivputra, and an excellent 2002 performance from Khushal Sharma. Further information welcome!
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—Kumar Gandharva (~1970s)—
[bandish, e.g. 0:26] PN S/G(r) r(S)S, S(NrSN)S, S(NS)N (Nd)P, NS(r) S(NS)N, S(Nd), NS/G(r) r(S)S, (N)S S, N(SR), SR(SN)SN\dP P, NS(RSN)S (GS)G r(S)S, (N)S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Shivmat Bhairav
–Swara Geometries–
• Core form: S–r–gG–m–P–d–nN–S
• Reverse: SrRGmPdDNS
• Negative: 5-4-3 (e.g. Malashree)
• Imperfect: 2 (Pa, Ni)
• Detached: none
• Symmetries: none
• Murchanas: Mand (on dha)
–Global Translations–
• Carnatic: (~Mayamalavagowla)
S-R1-G2-G3-M1-P-D1-N2-N3-S
• Jazz: Phrygian (dbl. 3rd/7th)
1-b2-b3-3-4-5-b6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-1-3-4-5-7-8-10-11-0
(1–2–1–1–2–1–2–1–1)
o o • o o o • o o • o o o
• Tanpura: Sa–ma (+dha)
• Names: Bhavmat Bhairav, Bhavat Bhairav
—Mukul Shivputra (2019)—