• Raag Durgawati •

S-R-m-P-D-n-S


A rare shadav raga, matching the swara set of ‘Durga plus komal ni’ (or ‘Kafi/Khamaj no Ga’). The inclusion of ni in avroh opens up Bageshri-like uttarang motions (SnDm…), with the rest of the raga generally trending towards Durga (e.g. RmPD; PDm; mRDS). Seemingly an invention of Maihar bansuriya Hariprasad Chaurasia, based on the lack of renditions by anyone else: with his most prominent recording being a 1997 Navras release (paired with the similarly folksy Mishra Shivranjani). Not to be confused with Durgeshwari (in either of its forms) – and also see the prakriti Gorakh Kalyan and Narayani. Further information welcome!


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—Hariprasad Chaurasia (1997)—


[refrain, e.g. 18:59] D(nDP) mPD, S, nDPm R(n)S, D(nDP) mPD, S

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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• Prakriti: Gorakh Kalyan, Narayani

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–Swara Geometries–

Core form: SRmPDnS
Reverse: SRgmPnS (=Nayaki Kanada)
Negative: 2-2-1-2-2-3 (=itself)
Imperfect: 1 (Dha)
Detached: none
Symmetries: mirror (gG—Dn)
Murchanas: Shankara set

Quirks: ‘self-shadowing‘ (negative form=core form) • atritonal‘ (no available tritones)

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–Global Translations–

Carnatic: ~Andolika
S-R2-M1-P-D2-N2-S
Jazz: Mixolydian (no 3rd)
1-2-4-5-6-b7-8
Pitch classes (‘fret-jumps’):
0-2-5-7-9-10-0
(2–3–2–2–1–2)

o • o • • o • o • o o • o


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• Tanpura: Sa–ma
• Names: Durgawati, Durgavati (not Durgeshwari)

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—Hariprasad Chaurasia (1997)—

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