Durgawati | Hindustani Raga Index | Rāga Junglism

S-R-m-P-D-n-S

[summary]

—Hariprasad Chaurasia (1997)—

[refrain, e.g. 18:59] D(nDP) mPD, S, nDPm R(n)S, D(nDP) mPD, S…

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

• Core form: S-R-m-P-D-n-S

• Reverse: SRgmPnS (=Nayaki Kanada)

• Inverse: Ni; SRGmPDS (=none)

–Global Translations–

S-R₂-M₁-P-D₂-N₂-S

1-2-4-5-6-b7-8

• Pitch classes (‘fret-jumps’):

0-2-5-7-9-10-0

(2–3–2–2–1–2)

o • o • • o • o • o o • o

• Names: Durgawati, Durgavati

—Hariprasad Chaurasia (1997)—

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An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023]

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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