S-r-G-M-P-D-nN-S
Created by Maihar sitar legend Nikhil Banerjee (“…I’m quite satisfied with one of my Sonodisc LPs: Raag Monomanjari”). From Narendra Datar’s 1989 review of this record: “A jod raga…a remarkable combination [of] Kalavati and Marwa. Kalavati is a very joyful late night melody, whereas Marwa is an early evening melody that portrays pathos. In [Monomanjari], one can feel a very delicate interweaving of these two contrasting moods…a highly intellectual and emotional appeal.”
• Raga Megalist (365+) •
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—Nikhil Banerjee (~1970s)—
[theme, e.g. 45:28] MPD(SnS) D(nDP), M(P)MG, G, M(D)MGr, r, S, S, N(S) (N)S N\D, D(PMP), P M(P), D, r, r, S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-r-G-M-P-D-nN-S
• Reverse: SrRgmMdNS (=none)
• Inverse: dha; SMPDS (=none)
• Imperfect: 3 (re, Pa, ni)
• Detached: 1 (ni)
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: ~Gamanasrama
S-R1-G3-M2-P-D2-N2-N3-S
• Jazz: Lydian b2 (dbl. 7th)
1-b2-3-#4-5-6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-6-7-9-10-11-0
(1–3–2–1–2–1–1–1)
o o • • o • o o • o o o o
• Tanpura: Sa–Pa
• Names: Monomanjari, Manamanjari, Manomanjiri
—Nikhil Banerjee (1972)—
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• Hindustani Raga Index •
An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023]
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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