Anup | SRgGmPnS | Hindustani Raga Index

S-R-gG-m-P-n-S

A recent creation of vocalist Sadhana Shiledar which serves to highlight the continuing phenomenon of ragas being inspired by regional folk melodies. As per her accompanying notes to a 2018 performance, “Anup is a dhun-ugam [folk-derived] raga, based on a folk tune from Dewas in the Malwa region of Madhya Pradesh”. Her full-length 2025 album rendition sets a sthayi of nnS(RG) GmPG GR(SR)S amidst a specific treatment of the double-Ga, with the shuddha dominating and the komal generally restricted to concluding motions such as nSg gRSnS. Also peruse Shiledar’s other raga creations Ritu, Godhuli, Savitri, & Bhinna Lalit – and read her broader thoughts on raga innovation: “As the thoughts, ideas, preferences, and beliefs of man change with the passage of time, it is unnatural, impossible, and unjustifiable to imagine the expression of art to be eternal. Transformations and modifications have always been a part of evolution…I eagerly accept these changes, and try to identify myself with them. In the process of change, certain conventions have disintegrated and crumbled like old mansions…”).

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राग अनूप

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—Sadhana Shiledar (2025)—

[bandish, e.g. 20:34] nnS(GS)G GmP G G(RSR)S; S GmP mG(RG)R, RG(mG) G(RS)S, nSg RSn; nnS(GS)G GmP G G(RSR)S…

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• Recent Raga Index Updates (Jan 2026): Added new ragas: e.g. Asa, Basant Bahar, Badhans Sarang, Bayati, Chandni Todi, Chandraprabha, Deepavali, Firozkhani Todi, Gaud, Japaniya, Kaushiki, Latangi, Maru, Palas, Sarangkauns, Shivanjali, Shrutivardhini • ‘Bifurcations‘: analysis via ‘poorvang + uttarang’ formulas • DoGa Kalyan & the Beatles’ Blue Jay Way • Amir Khan’s ‘168 merukhands’ • Uncovered Prabhateshwari‘s origins • Transcribed Manjiri Asanare-Kelkar’s ‘Amodini‘ lec-dems • Experiments (e.g overtonal Bhairav, jazz Malkauns) • Survey of Sa Tunings • More Masterlist ragas (1000+)

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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: (none found)

Also see other shadav ragas which omit Dha

–Swara Geometries–

• Core form: S–R–gG–m–P–n–S

• Reverse: SRmPdDnS

• Negative: 2-1-2-5-2

• Imperfect: 2 (Re, Ga)

• Detached: 1 (Ga)

• Symmetries: none

• Murchanas: Miyan ki Sarang (on ma)

–Global Translations–

• Carnatic: (~Haridasapriya)

S-R₂-G₂-G₃-M₁-P-N₂-S

• Jazz: Dorian dbl. 3rd (no 6th)

1-2-b3-3-4-5-b7-8

• Pitch classes (‘fret-jumps’):

0-2-3-4-5-7-10-0

(2–1–1–1–2–3–2)

o • o o o o • o • • o • o

• Tanpura: Sa–Pa

• Names: Anup, Anoop

• Transliterations: Hindi (अनूप)

—Sadhana Shiledar (2018)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!