S-R-g-P-D-S
A spellbinding scale resembling ‘Bhupali komal ga’ (or ‘Kafi no ma/ni’), Shivranjani’s melodies (described by Kalakar as “plaintive, haunting”) are said to appease the destructive rage of Lord Shiva (also see Malkauns). Tanarang gives essential combinations including SRgP; PDPgR; gRgSR DS, although it may arrive in mishra form – rare for a pentatonic raga (e.g. the double-sitar jugalbandi below by my own gurus Shivnath & Deobrat Mishra: technically, a ‘mishra-Mishra’ rendition). Derived from the Carnatic Sivranjani – and generally more popular with instrumentalists than vocalists (although Lata Mangeshkar has set it in filmi). Also see my collaborator Jesse Bannister’s solo saxophone take, recorded in a highly resonant Cumbrian Cave.
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—Shivnath & Deobrat Mishra (2013)—
[mishra refrain, e.g. 3:37] DSgg, gRS, RRgR, (R)SSGG, GPDP, ggRS(R)S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
–Swara Geometries–
• Core form: S–R–g–P–D–S
• Reverse: SgmDnS (=Sundarkauns)
• Negative: 2-3-1-1-2-2-1 (e.g. Kedar)
• Imperfect: 2 (ga, Dha)
• Detached: 1 (ga)
• Symmetries: none
• Murchanas: Shivranjani set
–Global Translations–
• Carnatic: Sivaranjani
S-R2-G2-P-D2-S
• Jazz: Dorian (no 4th/7th)
1-2-b3-5-6-8
• Pitch classes (‘fret-jumps’):
0-2-3-7-9-0
(2–1–4–2–3)
o • o o • • • o • o • • o
• Tanpura: Sa–Pa (+ga)
• Names: Shivranjani, Sivranjani
—Jesse Bannister (2011)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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