Bairagi Todi | SrgPnS | Hindustani Raga Index

S-r-g-P-n-S

Created by Ravi Shankar, Bairagi Todi replaces Bairagi’s shuddha ma with a Todi-intoned ati-komal ga, retaining the concise audav structure while presenting an odd mix of narrow and wide intervals. Sometimes matched with unusual talas (e.g. Shankar’s original is in ‘sade-gyarah’: a ‘fractional‘ 11.5 matra cycle divided ‘4–4–2–1.5‘), the raga is explorable in all saptak, with artists generally favouring a ‘deep and heavy atmosphere’, laden with phrases reworked from nearby forms. Non-Shankar renditions are relatively rare, but those on record display considerable divergence. Also see other Ravi-authored ragas including Parameshwari, Gangeshwari, Kameshwari, Rangeshwari, Jogeshwari, Mohankauns, Ahir Lalit, and Pancham se Gara.

—Ravi Shankar (1988)—

[gat, e.g. 12:10] PnSr, r g, g r, g r, S r, n PnSr, r r(g)…

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• Recent Raga Index Updates (Dec 2025): Added new ragas: e.g. Asa, Basant Bahar, Badhans Sarang, Bayati, Chandni Todi, Chandraprabha, Deepavali, Firozkhani Todi, Gaud, Japaniya, Kaushiki, Latangi, Maru, Palas, Sarangkauns, Shivanjali, Shrutivardhini • ‘Bifurcations‘: analysis via ‘poorvang + uttarang’ formulas • DoGa Kalyan & the Beatles’ Blue Jay Way • Amir Khan’s ‘168 merukhands’ • Uncovered Prabhateshwari‘s origins • Transcribed Manjiri Asanare-Kelkar’s ‘Amodini‘ lec-dems • Experiments (e.g overtonal Bhairav, jazz Malkauns) • Survey of Sa Tunings • More Masterlist ragas (1000+)

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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: (none found)

Also compare to other ragas matching the generic swaras ‘Sa-Re-Ga-Pa-Ni‘: including Sundarkali (S-r-G-P-n-S) & Hansadhwani (S-R-G-P-N-S).

–Swara Geometries–

• Core form: S–r–g–P–n–S

• Reverse: SRmDNS (=Rasaranjani)

• Negative: 3-2-1-1-2-1-2

–Global Translations–

S-R₁-G₂-P-N₂-S

1-b2-b3-5-b7-8

• Pitch classes (‘fret-jumps’):

0-1-3-7-10-0

(1–2–4–3–2)

o o • o • • • o • • o • o

• Names: Bairagi Todi, Birag Todi, Virahini

• Transliterations: Hindi (बैरागी तोडी); Bengali (বৈরটী তোড়ি)

—Devaki Pandit (2013)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!