Purba | SrGmMPdDNS | Hindustani Raga Index

S-r-G-mM-P-dD-N-S

A rare raga of the Jaipur-Atrauli gharana, described by Rajan Parrikar as “essentially Raag Poorvi adorned with bells and whistles” – in particular, the Ma-mixing catchphrases Sm, mGP and MMPPd, dNdP. Refer to the Rajshekhar Mansur bandish transcribed below, which showcases uttarang forays of MP, PdNdP and a prominent M\G glide. Also recorded by Imdadkhani master Vilayat Khan on the surbahar, and sung by Pandit Jasraj on his Rarely Heard Ragas album (although most uploads have the track title erroneously swapped with Patdeepaki, seemingly due to a misprint on the original CD). Not to be confused with Purva, although the two ragas share melodic territory, and mistitlings are common.

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—Rajshekhar Mansur (~1990s)—

[bandish, e.g. 0:04] (NSr)Sm (m)rG, MP PdNdP, dMPGmG(r) G(rG), M\GG, (rGMD)MG, G(MGMG)rS, (N)rNS, (SrS)mm (m)G(rG), MP PdNdP, dMPGmG(r) G…

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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: Bhankar, Sazgiri, Sonakshi, Lalita Gauri

–Swara Geometries–

• Core form: S–r–G–mM–P–dD–N–S

• Reverse: SrgGmMPdNS

• Negative: 4-1-7

• Imperfect: 2 (Pa, dha)

• Detached: none

• Symmetries: none

• Murchanas: none

–Global Translations–

• Carnatic: ~Kashiramakriya

S-R₁-G₃-M₁-M₂-P-D₁-D₂-N₃-S

• Jazz: Double Harmonic (dbl. 4th/6th)

1-b2-3-4-#4-5-b6-6-7-8

• Pitch classes (‘fret-jumps’):

0-1-4-5-6-7-8-9-11-0

(1–3–1–1–1–1–1–2–1)

o o • • o o o o o o • o o

• Tanpura: Sa–Pa

• Names: Purba, Poorba, Poorbya

• Transliterations: Hindi (पूर्बा)

—Vilayat Khan (~1991)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!